metadata: {"signature": "0xfd78365f6e80ea065f29414283db31605750639f5462d7f84eb25e5b2657b2650a1815ae05c17ebe83623b9bb5b5b443a138bd7011c6a60bcb608316368494d21c", "application": {"round": "0x2871742b184633f8dc8546c6301cbc209945033e", "answers": [{"type": "email", "hidden": true, "question": "Email Address", "questionId": 0, "encryptedAnswer": {"ciphertext": "SMuHWnT8mf4u1ZyYqe8rYfVdXdhZfSd4EdtkWLXockwYHh2VXaT/QxqtcCJAt1kp", "encryptedSymmetricKey": "7f502d37cb6e7771aee3b89effb79677d6ebeef85095763ebef91bf87ce63ab98abed6e2dcdbc050ed52a8b265a705039e2b448e5e47541c0059b604e0927413f18ec6318834c59eb3a0856892370af3c7bcd9a6c71c058ad43ff78140e8f2a49a0cbc98b8bedb5479d443e82929693a02eacd03afc0bc30c652467ecd49fbfe0000000000000020ddab98c5a3c1bcc73911c35e70b6880b1d621cf1cac14e6decb6765ec50f3409745acb1b0571d1774e8d594a1b8c52b0"}}, {"type": "short-answer", "hidden": true, "question": "Your Telegram Handle", "questionId": 1, "encryptedAnswer": {"ciphertext": "BhzufuVcrkPrxak4CDuo6OMvayHNKsfIsXgVFRY74wU=", "encryptedSymmetricKey": "014ae38e3ba4cad179938f736e855db77ddbdffce562282c0e48b91bd909273237c8360e6e2abbf71babcec9eaa77e0df132676dca4acbc9837e174170425d30593d091025ab67905cd7775a380026f4412986948272578383b6bf84443a6894b6b6e4b6e38c5809238be51868284078e329b9790334567d544e57b27f9e99b80000000000000020479db47818640ac329b2a6b63d00629543454fecd05ad2962422ca09b45ca4afe516ba32e1184632b29a6582244f9098"}}, {"type": "short-answer", "hidden": false, "question": "Link to your Public Group Chat (Discord or Telegram )", "questionId": 2}, {"type": "number", "answer": "18500", "hidden": false, "question": "Total prior funding for the project in USD", "questionId": 3}, {"type": "paragraph", "answer": "3 Gitcoin Grant Rounds", "hidden": false, "question": "Please expand on how much funding you\u2019ve received from each funding source and when? (VC, grants by foundation, token sales, etc)", "questionId": 4}, {"type": "number", "answer": "2", "hidden": false, "question": "Total team size", "questionId": 5}, {"type": "number", "answer": "21", "hidden": false, "question": "How old (in Months) is the project?", "questionId": 6}, {"type": "paragraph", "hidden": true, "question": "If you participated in past grant rounds using a different project payout wallet address, please share it here:", "questionId": 7, "encryptedAnswer": {"ciphertext": "HTibWlXqKme7UKyEpeS7vwPleBwJvkrqEbP6QC+lOls=", "encryptedSymmetricKey": "71643b86164499d2d7b4f238dd5ef659e620411110c4a5d4719c0ea8d76f932d1f1f0285aaeeceaefd1cb5b0145a420f982b32dd64a6f3985db876cc127ba404886f642862ee1af75b8cf3365f0ec259a8aa9a5feb1cf7fdf4e7f41b15e310a7321affbe7e8c0780bd1b18fdc043a6ae329211630725358cbd301c84866fe6b90000000000000020738c32590f53f59957857965776760f72fa5a11211ad6b72ac0fbf46537676ac6597bb3b942d6f94118820a009c6c48f"}}, {"type": "short-answer", "hidden": true, "question": "Profiles or socials of other main team members publicly associated with the project: ", "questionId": 8}, {"type": "checkbox", "answer": ["yes"], "hidden": true, "question": "Have you read and confirmed your grant abides by the Program General Eligibility Policy? https://gitcoin.notion.site/GG18-Eligibility-cb4a5754c56043d4b3ed34eddbac261c?pvs=4", "questionId": 9}, {"type": "paragraph", "answer": "The Tapestry is a project leveraging Web3  to preserve diverse oral histories and educate/empower other Storytellers to do the same.\nTailored to address the needs of communities often furthest removed from the technology. Beginning in Sierra Leone this is an effort to make sure storytellers around the world can contribute to this ecosystem.", "hidden": false, "question": "Please explain how your project meets the round-specific eligibility criteria. ", "questionId": 10}, {"type": "paragraph", "answer": "- Took The Tapestry Global with work done in Sierra Leone, Korea, Indonesia, and Australia.\n\n- Added a diverse group of 42 Poets/Singers/Storytellers to The Tapestry \n\n- Shared the mission on different platforms ranging from podcasts to stages like ETH Denver\n\n- Became a Starling Lab Fellow by taking an Archive Accelerator where I learned about decentralized and distributed file storage solutions + identified which one I am using for my archival efforts\n\n- Found Devs to build out the architecture for the archive\n\n", "hidden": false, "question": "If you've participated in past grant rounds, please share any new updates or milestones from the prior months. ", "questionId": 11}, {"type": "paragraph", "answer": "- Number of poems, songs, and stories documented\n- Number of Contributors \n- Number of wallets created\n- Number of local Web3 coordinators that can help onboard others.\n- Diversity within demographics ie race, gender, tribe, class\n- The launch of an MVP  tool I and others can use to preserve ", "hidden": true, "question": "How do you measure the impact of your project? Please provide examples and/or standard metrics. This might be used in future impact reports ", "questionId": 12}, {"type": "paragraph", "hidden": true, "question": "Anything else you'd like to share about your project, previous work, or other project affiliations? Anything you'd like to add that may help in determining project eligibility?", "questionId": 13}, {"type": "paragraph", "hidden": true, "question": "Anything else you'd like to share about your project, previous work, or other project affiliations? Anything you'd like to add that may help in determining project eligibility?", "questionId": 14}, {"type": "checkbox", "answer": ["yes"], "hidden": true, "question": "Would you like to opt-in to future messages from Gitcoin for updates, information, and/or interviews? ", "questionId": 15}, {"type": "checkbox", "answer": ["yes"], "hidden": true, "question": "Would you like to opt-in to us sharing your information with select third-parties for potential opportunities for them to invest in your project? ", "questionId": 16}, {"type": "multiple-choice", "answer": "Africa", "hidden": false, "question": "Location/Region where the project is based ", "questionId": 17}], "project": {"id": "10:0x8e1bD5Da87C14dd8e08F7ecc2aBf9D1d558ea174:1029", "title": "The Tapestry", "logoImg": "bafkreic5ewawa4bd4wmgbasdtaxlq4yli75kaleeoepb5us2bge3icltbi", "metaPtr": {"pointer": "bafkreian3gi2rlm5zofqnra2wkwmxlbhuyvrz5pwkfqmdhe65inyxreghq", "protocol": "1"}, "website": "https://Ibraheemleone.com", "bannerImg": "bafkreifpkwu6oji2srdvnejdzucpvquwsyoq5nf4jvhkk77rgfzc3k5adm", "createdAt": 1692110000595, "credentials": {}, "description": "***The Tapestry is a project leveraging blockchain technology to preserve oral histories.***\n\n![](https://hackmd.io/_uploads/SkNGHZF3h.jpg)\n\nWatch The Tapestry YouTube Video:\nhttps://www.youtube.com/embed/KXjjKVOzFjE\n\nIn 2017 I traveled to my country of origin; Sierra Leone for the first time. 5 years later, funded by photography NFTs of that trip, I went back with the intent of exploring, documenting, and preserving my culture on the blockchain.\nGitcoin has since empowered me with funding to continue my project.\n\n**1 year, 4 countries, and dozens of poets and storytellers later, I am building:**\n\n\u2022 A growing collection of poetry and song documented in short video format to be minted on the blockchain and funding further cultural preservation efforts around the world.\n\n\u2022A front-end tool to help navigate, organize and connect a decentralized library of multimedia that is connected through strings of metadata.\n\n\u2022A diverse community of storytellers and artists around the world empowered by the Web3 ecosystem\n\n\n**Why \u201cThe Tapestry\u201d?**\n\n\u2022 The name is centered around the idea that the tapestry of culture and history is woven together with threads of poetry and song.\n\n\u2022 It is also a reference to the threads of metadata that can be woven together in a way that standardizes the way we put history on the blockchain and allows for the scalability of interconnected stories tied together through metadata itself.\n\n\u2022 There\u2019s more to the name but we\u2019ll connect those threads when we get there \ud83e\uddf5\n\n**The Problem:**\n\n\u2022 There are innovative technology solutions being built every day. But without the unique perspectives of people often the furthest removed from the technology, those who need it most access it the least, if ever at all. Although Diversity, equity, and inclusion are touted frequently in the Web3 space, there isn\u2019t enough intentionality in making sure that underrepresented communities are at the forefront of innovation and that the tech serves our specific needs.\n\n\u2022 Although West Africans have a rich history of knowledge and culture that was transmitted in written format, much of our tradition has historically been transmitted orally. And with a lack of emphasis on the preservation of said oral stories, a lot of our most valuable tradition  at risk of dying out.\n\n\u2022 The traditional way of preserving knowledge and culture, be it written or oral, is centralized and often results in the loss of history. For example, due to the civil war that ravaged Sierra Leone from 1991-2002 many artifacts and archives were stolen and destroyed.\n\n\u2022 Modern-day attempts at storing data are inefficient and involve trusting large centralized entities with the storage and preservation of our most important information.\n\n\u2022 In the true spirit of decentralization we suffer from a lack of metadata standards which means we struggle to aggregate and organize related data although we are using such open and transparent technology.\n\n**Problem Solving:**\n\n\u2022 My work centers my people. As an immigrant Black Muslim community organizer of Sierra Leonean descent, I want to make sure that my work and Web3 serve my communities here in the U.S and also back home in Sierra Leone. A continued emphasis will be placed on access and onboarding of the communities I work with. Below are some photos from a Web3 onboarding effort I facilitated in Sierra Leone. I was also interviewed about it by New Lines Magazine\n\n![](https://hackmd.io/_uploads/B1RXE1F32.png)\n\n[https://newlinesmag.com/reportage/the-new-frontier-african-artists-tap-into-a-digital-goldrush/](https://)\n\n\u2022 I have begun my effort to document and preserve oral histories in Sierra Leone and beyond. The goal is to build out a scalable digital library and archive of songs and poetry around the world.\n\n\u2022 We need to forgo colonial and centralized ways of cultural preservation. I plan to lean into decentralized file storage by utilizing IPFS x File and make these digitized works widely accessible Where they are collect from. Ideally, this project will be able to present a use-case for traditional entities to adopt innovative technologies and more inclusive practices.\n\n\u2022 Some of the songs will be turned into NFTS. 50% of the proceeds from The Tapestry will be allocated to continually funding cultural preservation. It will be a collaborative effort to breathe life into the storytelling traditions that are at risk of dying out by supporting the stewards financially while also onboarding more local Sierra Leoneans and international storytellers into Web3\n\n**The Tool:**\n\nBeyond being a story and archiving of songs and poetry,\nI want to build a tool other archivists, journalists, and storytellers can use to aggregate and filter metadata.\nThe way I envision it is a front-end interface that utilizes an API like Zora Protocol to make a call for metadata from IPFS x Filecoin and allows users to interact and dynamically filter through the indexed metadata This tool will be able to bridge content on different blockchains and media that lives on Web3 with media that lives on Web3.\n\nAs the first utilizer of the tool, I want to explore ways that storytellers can be transparent about the ways we influence the trajectory of a story using metadata.\nThere were chiefs I worked with during my trip, whose relationships with me were bolstered by the fact that they knew my great grandfather.\nThere are multiple instances where the young people in the villages did not know any old songs when I asked for them. In those moments I would witness them seek those songs out from their elders, learn them in real-time before they all sang them together in unison,\nI want to fashion the aggregation tool in a way that allows for that kind of information to be embedded into the metadata as a way to enhance the storytelling and truthtelling of our projects.\n\n**Where does The Tapestry cover?**\n\nSongs and poetry are not just ways we connect cross-generationally but cross-culturally as well. The truth of the matter is that although my journey begins in Sierra Leone, I have already found threads which I intend to pursue that have taken me to other countries including Indonesia and Australia and will eventually lead me to places as far as Brazil.\n**Brazil???**\nI train in the Afro-Brazilian martial art of Capoeria. Capoeira was invented and practiced by enslaved Africans in Brazil as a means of resistance. In order for them to train underneath the watchful eyes of their captors, the martial art was disguised within dance and performance.\n![](https://hackmd.io/_uploads/BJ_xBkF23.jpg)\n```\n\n```\nMusic is a central part of the practice and as I began my training 3 years ago, I would hear within a particular song words that were said to be devoid of linguistic meaning but full of ax\u00e9 \u201cSpiritual energy\u201d\nHowever due to my proficiency in Arabic, and Islamic background, I heard linguistic meaning in this song whenever it was sung. Although slightly different, when I heard \u201cLalae, Lalae, Lalaela\u201d, I heard dhikr which is Arabic for \u201cWords of remembrance\u201d\nSpecifically, I recognized the testament of the Islamic faith in Arabic;\u201d l\u0101 \u02beil\u0101ha \u02beill\u0101 -ll\u0101h\u201d which can be translated as \u201cThere is no God but God\u201d\nI was affirmed by this when I met my first Muslim Capoeira Mestre, Mestre Versatil.\nUnprompted, He sang the song the same way that I sang it and when I spoke to him, I learned that he also recognized the Arabic testament of faith within the song\nI was further affirmed by this during my recent trip to Sierra Leone where I found a village where the inhabitants sang l\u0101 \u02beil\u0101ha \u02beill\u0101 -ll\u0101h\u201d in a way that had become slightly altered over time in a similar way.\nThe difference is that in Sierra Leone the words still embodied the meaning while in Brazil the meaning is only partially preserved.\nI find this this to be one of the threads that connect West African Muslims who were enslaved in Brazil and West African muslims who never left the continent.\nSo, my intention is to follow disconnected threads of connection wherever they take me and weave together the songs and poems that connect us around the world.\n\n![](https://hackmd.io/_uploads/S19eMJth2.jpg)\nCurrently this journey of documenting connections has brought me to Australia and will take me to 3 other countries in the region before I return home.\nI am excited to share with you what we've been working on.\n*Thanks for weaving with me.*\n![](https://hackmd.io/_uploads/BkB-vWF2h.jpg)\n\nSee some of the faces of The Tapestry on Youtube: https://youtu.be/pSN2_9g6Ppw\n\n", "lastUpdated": 0, "projectTwitter": "Ibraheemleone"}, "recipient": "0xEec7689e935A0d8c440f9B1d403f0b6305935788"}}